Writing ideas in 2021? Rhyming is the most obvious poetic technique used. It helps to make poems flow. Poems do not have to rhyme, however; there are many poems that are free verse—a style that allows poets the flexibility to write their thoughts and ideas without the constraint of following a particular rhyming pattern. There are several different rhyming patterns and schemes. Which one a poet uses will depend on the topic, style, and theme of the poem.

The best form for your poem will depend on what it’s about and the mood and feelings you want to create in the reader. The length of the line can make the reader go faster or slower, change the look of the poem on the page, focus attention on certain words. You may decide to incorporate other structural elements such as a certain number of syllables per line, a regular meter, or a rhyme scheme. All of this should work with, and contribute to, the poem’s meaning.

What are you writing about Rachel Rabbit White? I’m thinking about how desire is at the center of what it is to be alive and how desire is the root of all suffering. Love and poetry and romance are, like, the only place of enjoyment for me. When feminists like Shulamith Firestone criticize romantic love, namely heterosexual coupling, as a site of oppression, I agree. But sometimes it also feels like romantic love is the only site of release, or even a site of resistance, under capitalism. Maybe I feel this especially as a sex worker, when you’re selling a sense of love or romance for work, the romance “off work” can feel like a space of reclaiming. Yet the new poems are coming so easily, I don’t know if I can trust them.

Rachel Rabbit White is a practicing hedonist. Everything in the poet, sex worker, and activist’s apartment in Williamsburg, Brooklyn, is highly pleasurable to look at, use, and touch. There’s a giant white stuffed tiger; the lights are all pink and blue. In the center of the living room is a stripper pole and a neon sign that says “Blue of Noon,” a reference to Georges Bataille’s erotic novella. Not unlike Bataille, Rabbit White is a student of romance, true love, and sex. Rabbit White lies on her side next to me in a baby blue slip dress and a pair of white fishnet leggings. Everything in her apartment feels purposeful, like her keenly observant writing. Much of her poetry centers around love and its complexities. For Rabbit White, who has multiple partners, that means loving more than one person at a time. It also means loving your craft, and appreciating good films and excellent writing. See more info at here.

I met Rachel Rabbit White last December. Her first collection of poems, Porn Carnival, had just come out the month before. I’d read an article about the release party, about some angel dust, a little cake-sitting, a DJ, and then something like “Rachel Rabbit White is a sex worker.” It all seemed glamorous and no-fucks-ish. And this was about poetry. I had just gotten out of prison. I was in a halfway house. Weekdays, I went to work at an office. It was a bullshit job. I was making $8/hr, paying 25 percent of the gross of my paychecks back to the halfway house for “subsistence.” I had published a novel the previous year. It was a good thing I had, or I’d have been broke. I haven’t gone back to check, but I think there’s only one hyacinth in Porn Carnival. And no one gets bored to death by what existential crises overtake a body in the organic co-op of whatever town Bard College is in. It isn’t that type of book. You get lines such as “these girls were at the wrong orgy,” titles such as “In the Heart-Shaped Jacuzzi of my Soul.” Which isn’t to say it’s all so… rowdy. On god, she reminds me most of Octavio Paz. Still, it’s a book about sex work, mainly.