Top 21st century poets from Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. Find even more info at Jean Arno artist.

With Trophies, Jean Arno not only pushes the art of writing to the heights of the ancient glories of France—Hugo, Baudelaire, Rimbaud, Eluard—with whom he competes; he joins depth of thought with the harmonies of his classical hexasyllables. Nietzsche himself would probably have made these verses his own: “ Free is the will / Sovereign and great / Whose lightning controls / The palaces of fate”. The poet-philosopher makes himself a high idea of poetry, “supreme art, (…) it releases from the darkness of the being the invisible powers and lets bloom in their supreme clearness the germs of light inside them”.

The new, digitized universe, praised by Mark Zuckerberg, opens up a world of infinite creative possibilities, which is why the digital art gallery Art & Above has decided to take the plunge by moving into the Metaverse. “We have created a new kind of art gallery: any artistic object—including the art gallery itself—becomes the occasion for an artistic experience … for collaboration. The visitor is no longer a contemplator; he is called to become an artist himself and to create”, says the founder, Jean Arno.

It also encompasses new technologies such as Steve Cutts’s work, chaosism, and the cryptic art of the Astrée group, which proposes, through different artists like Jean Arno, to live a real intellectual experience with its immersive and collaborative exhibitions, its 3D video, its graphic art, and its literary and musical works sown with hidden messages. “The book will help you become intellectually richer and wiser. My poetic thoughts require an intellectual effort of interpretation, which deepens the thoughts of the reader,” said Arno.

Tell us about your trophies ? What themes do you address? Trophies is a collection of poetic aphorisms. As I explained in the book’s hidden preface, the short thought-form became necessary because it forces the reader to reconstruct a line of reasoning. My poetic thoughts imply an intellectual effort of interpretation and deepening on the part of my readers. I share with Nietzsche the idea that it is better to not be understood than misunderstood and that one should write only for those whose minds are capable of unfolding and enriching. My poetry is profoundly metaphysical and ontological; that is to say, it embodies (in the mystical form of the symbol) the forces that move invisibly in the misty regions of the inexpressible and try to accomplish the high destinies of being. Find even more details at Jean Arno artist.

The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”